Classical concerts featuring

SWR Symphonieorchester

Linie 2: 100 Jahre Pierre Boulez

A concert workshop in Freiburg's E-Werk will feature conductor Oscar Jockel explaining Pierre Boulez's "Polyphonie X" with the SWR Symphony Orchestra. This piece, a scandal at its 1951 premiere, connects Boulez's early and later styles. Following the analysis and full performance, the concert includes Webern's arrangement of Bach's "Fuga Ricerata" and Webern's Symphony Op. 21, highlighting polyphony and musical development, both crucial to Boulez's work. A second performance of "Polyphonie X" concludes the evening.

Linie 2: 100 Jahre Pierre Boulez

At the start of the Boulez Year, the Wizemann in Stuttgart will host a unique concert workshop. Conductor Oscar Jockel will introduce Boulez's "Polyphonie X," explaining it with excerpts played by the SWR Symphony Orchestra. This piece, a bridge between Boulez's early and later styles, caused a scandal at its 1951 premiere. The concert also includes Webern's arrangement of Bach's "Fuga Ricerata" and Webern's Symphony Op. 21, both relevant to Boulez's work, and concludes with a second performance of "Polyphonie X."

Mittagskonzert: Kirill Karabits dirigiert Saint-Saëns und Tschaikowsky

Kirill Karabits dirigiert Werke von Mozart, Saint-Saëns, Walton und Tschaikowsky

ECLAT Festival Neue Musik Stuttgart

SWR Symphonieorchester / Florian Hölscher / Christoph Sietzen / Emilio Pomàrico

The semblance of a world premiere: The SWR Symphonieorchester under the baton of Emilio Pomàrico together with pianist Florian Hölscher launches the new piano concerto by Alberto Posadas – you can hear this work in Hamburg shortly after its premiere in Madrid. The Spanish composer draws his musical material from the physical and sensory capabilities of the instruments themselves – as does Johannes Maria Staud, whose percussion concerto can be experienced as a rhythmical counterpoint in the second half of the programme. It is a special concern of the Austrian composer to establish the drum as the equivalent tool of the sound paintbox: »It is my objective to give real meaning to this toolkit in the 21st century and to complete a lot of works for it.« No sooner said than done! Sometimes, you hear it with saxophone and wind ensemble, sometimes with choir and string quartet – with orchestra for the first time in »Whereas the Reality Trembles«, which was premiered in 2023 by Luxemburg percussionist Christoph Sietzen. For the title, Staud was inspired by a line by the American poet William Carlos Williams, which hits precisely what he expects from a percussion concerto: »Williams often speaks about reality being a little dazzling; his work is very obsessed with the space between the sensations.«

Patricia Kopatchinskaja spielt Schostakowitsch, Ligeti und Hartmann

SWR Symphonieorchester | Abokonzert 5

Werke von Schostakowitsch, Ligeti und Hartmann. Mit Patricia Kopatchinskaja (Violine) und dem SWR Symphonieorchester unter der Leitung von Ingo Metzmacher.Programm:Dmitrij Schostakowitsch | Violinkonzert Nr. 1 a-Moll op. 77György Ligeti | "Mysteries of the Macabre" & "Lontano"Karl Amadeus Hartmann | Sinfonie Nr. 3Mitwirkende:Patricia Kopatchinskaja, Violine SWR Symphonieorchester Ingo Metzmacher, DirigentKonzerteinführung | 19:00 Uhr

Ingo Metzmacher dirigiert Werke von Schostakowitsch, Ligeti und Hartmann

Mittagskonzert: Giuseppe Mengoli dirigiert Skrjabin und Tschaikowsky

Giuseppe Mengoli dirigiert Werke von Tschaikowsky, Skrjabin und Franck

Bruckner: Messe

In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

Bruckner: Messe

In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

After personal and professional setbacks drove Bruckner to the brink of madness in 1867, the organist suffered a nervous breakdown. Recovering in an asylum, he returned to composing and created his "Great" f-minor Mass, a work of symphonic scale and profound expressiveness. The SWR Vokalensemble, WDR Rundfunkchor Köln, and SWR Symphonieorchester reunite with conductor Pablo Heras-Casado this season for a performance of Bruckner's final mass setting.

Pablo Heras-Casado dirigiert Anton Bruckners f-Moll-Messe

Bruckner: Messe

In 1867, Anton Bruckner, recovering from a nervous ailment, began composing his large-scale Mass No. 3. Twenty-five years later, he quoted it in his unfinished 9th Symphony as a gesture of thanks to God.

Linie 2: Radiomusiken

Linie 2: Radiomusiken

The 1920s marked the beginning of radio broadcasting in Germany. The "Linie 2" program highlights this era of technological and musical innovation from nearly a century ago. Prominent composers created music for the radio without strict genre boundaries. Pavel Haas's "Radio Overture" and Hanns Eisler's piano song capture the significance of radio in different contexts. Works by Braunfels and Toch, commissioned by predecessors of WDR and SWR, also showcase the stylistic diversity of this period.

Carolin Widmann | SWR Symphonieorchester | Bas Wiegers

To explore sound's intricacies, Kaija Saariaho put it "under the microscope." The SWR Symphony Orchestra, with violinist Carolin Widmann, honors the late Finnish composer. Saariaho's early work "Verblendungen" intertwines orchestra and tape. Her violin concerto "Graal théâtre" draws inspiration from the Holy Grail legend. The concert opens with Lutosławski's lively "Little Suite" and concludes with Debussy's "La Mer."

SWR Symphonieorchester | Abokonzert 8

Works by Lutosławski, Saariaho, and Debussy performed by Carolin Widmann (violin) and the SWR Symphony Orchestra, conducted by Bas Wiegers. The program includes Lutosławski's "Little Suite", Saariaho's "Graal théâtre" and "Verblendungen", and Debussy's "La mer". A pre-concert talk starts at 7 pm.

Pfingstfestspiele: François-Xavier Roth dirigiert Werke von Boulez und Bruckner

The Festspielhaus Baden-Baden celebrates Pierre Boulez's 100th birthday with several concerts, including two of his "younger" works paired with Bruckner's last symphony. Boulez admired Bruckner and played a key role in his recognition. The program features "Figures – Doubles – Prismes," where figures are varied and doubled, concluding with a new perspective on the earlier work. A vocal piece inspired by E. E. Cummings's poetry experiments combines text and music.

Gastkonzert: Pierre Boulez 100

The Festspielhaus Baden-Baden celebrates Pierre Boulez's 100th birthday with several concerts, including two of his "younger" works alongside Bruckner's last symphony. Boulez admired Bruckner, frequently conducting his works. "Figures – Doubles – Prismes" showcases variations and doublings of musical figures, culminating in a re-examination of the earlier work. Boulez also sets E. E. Cummings's poems to music, creating a unique blend of text and sound.

SWR Symphonieorchester | Abokonzert 9

Works by Dvořák and Zemlinsky. Featuring Jean-Guihen Queyras (cello) and the SWR Symphony Orchestra conducted by Giedrė Šlekytė. The program includes Dvořák's Cello Concerto in B minor and Zemlinsky's "The Mermaid". Concert introduction at 7 pm.